If the 4:30/4-3-0 correlation is correct, then what does it mean? Well, it could be a meta-directional. Finally, there’s “the Joneses” - and the only Jones we know on the show is Dougie Jones.
So we have now seen three elements of The Giant’s cipher in consecutive weeks: Richard, Linda, 4-3-0. “4:30” reminds us of a clue that The Giant gave Agent Cooper at the beginning of the season - the digits 4-3-0. “Sparkwood and 21” is a mythic intersection in Twin Peaks lore - it’s where Laura jumped off James’ bike and ran into the woods on the night she was killed. There may be significance to all the little details. Not surprisingly, The Farmer was a no-show, and a sinister shot of his house, where we saw that the door was ajar, goosed us to assume the worst. For some dumb reason, Andy agreed to these terms instead of detaining him and taking him to the station. And by “bang-up,” I mean “piss-poor.” He located the flat bed pick-up that Dick was driving, but it was registered to another man, a terrified guy (the credits ID’d him as “The Farmer”) who insisted on speaking with Andy about the matter at another location - a logging road off Sparkwood and 21, just down from the Joneses - at 4:30. Speaking of Richard Horne: Deputy Andy did a bang-up job of investigating the hit-and-run vehicular homicide committed by Richard last week. (2) Laura’s realization that demonic Garmonbozia-harvester BOB and her father, Leland, were kinda-sorta one and the same. The entries alluded to two moments seen in Twin Peaks: Fire Walk With Me: (1) A dream - or astral projection - of Cooper’s girlfriend, Annie Blackburn, telling Laura that “the good Cooper” was trapped in The Black Lodge and instructing her to write that fact in her diary. They were three of four missing pages from Laura Palmer’s diary - her real diary, the one with all the painful and sorrowful truths, found in the apartment of agoraphobic botanist Harold Smith (rest in peace) in season 2. Coming out of the Ben and Jerry moment, we got Hawk walking Sheriff Frank Truman through the papers and their significance to Twin Peaks lore.
I was ready for the show to delay further examination of the documents that Hawk found tucked inside the toilet stall door last week, per the LynchFrost practice of letting blockbuster developments linger or cliffhanger beats dangle for a week or two.
And Doppelgänger Brain Tree is back! No: Baby Doppelgänger Brain Tree! I mean, there was a two-minute scene of a guy sweeping peanut shells at The Bang! Bang! Bar, set to “Green Onions” by Booker T.
#Wanted dead or alive season 3 episode 3 series#
If you’ve come to accept and enjoy the new Twin Peaks for what it is - a wholly original thing, one that alternately satisfies and defies the pleasures of the original series - then Part 7 was probably the most conventional installment yet, while still marked by enough oddness to make it the most peculiar thing on TV. Part 7 was about ministering to those who could relate to Jerry’s other freaked-out admission: “I DON’T KNOW WHERE I AM!” It was an hour for gathering bearings, bringing everyone up to speed, and getting the show on the road, so to speak it was an episode about finding the car that’ll drive the story forward. The past several weeks of Twin Peaks have been artful riffs on new characters and familiar motifs that were stoned on mood and mystery and kept us transfixed if confused.
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